Diana Nneka Atuona is a British born, Nigerian writer from Peckham, South London. She studied International Politics at South Bank University and upon graduating, was awarded a scholarship from Gray’s Inn to study Law, though her first passion is has always has been to write for the stage and screen. She has been a member of the Royal Court’s Invitation Writing Group and was the Theatre Local officer for The Royal Court’s Theatre Local Project in 2011 and 2012. Her first play, Liberian Girl, placed top 25 in the Verity Bargate 2013 competition (Soho Theatre) and was longlisted for the Bruntwood Prize 2013. In 2014, Liberian Girl was performed as a staged presentation at The Summit to End Sexual Violence and in January 2015, Liberian Girl received its full production at the Royal Court Theatre. She also took part in the Headlong writer’s group in 2014 and she is currently on commission at The Old Vic Theatre.





John Van Druten was born in London in 1901 to Dutch parents. He read Law at UCL and went on to practice as a solicitor before rising to prominence as a playwright in 1926. His first major success, Young Woodley (1925), was initially banned in London by the Lord Chamberlain's office for its controversial portrayal of a schoolboy falling in love with his headmaster's wife. In spite of this, or perhaps because of it, Young Woodley went on to have successful runs on Broadway and in the West End.

Van Druten became among the most prolific playwrights of the 1920s, 1930s and 1940s. Thirteen of his plays had been produced before he wrote Flowers of the Forest in 1934. He emigrated to America shortly thereafter, becoming a naturalised citizen in 1944. It was during this period that he wrote one of his most successful plays, The Voice of the Turtle (1943), which ran for three seasons in New York and was subsequently filmed with Ronald Reagan.

Van Druten is best known today for I am a Camera (1951), a play based on Christopher Isherwood's novel Goodbye to Berlin (1939). Both were used as the basis of Joe Masteroff's book for the Kander and Ebb musical, Cabaret (1966).

Aside from his playwriting, Van Druten wrote two novels and two autobiographies as well as directing several of his own plays before his death at Indio, California, in 1957.





Luke Barnes is an award-winning writer. His Credits include: CHAPEL STREET (Bush Theatre, UK TOUR), BOTTLENECK (Soho Theatre, UK TOUR) WEEKEND ROCKSTARS (Hull Truck) THE SAINTS (The Nuffield, Southampton) WEEKDAY NIGHTS (Unicorn Theatre/ National Youth Theatre) BEATS NORTH (Northern Stage, Newcastle) WONDROUS PLACE (Royal Exchange, Manchester) and EISTEDDFOD (HighTide). TV Writing Credits include: MINTED (C4) DIALOUGES (BBC4). He was runner up for Best New Play in 2013 and Best New Writer 2012 at the off west end awards for Bottleneck and Chapel Street respectively.

THE MAN IN THE SKY (Party Lines)




Philip Osment read Modern Languages at Keble College, Oxford and trained as an actor at Webber Douglas. He acted with leading alternative theatre companies including The Half Moon, Shared Experience and Gay Sweatshop (who performed his first scripts) and then went on to work as a director and writer.

He has also written and directed plays for young people for Theatre Centre and Red Ladder.

His trilogy of Devon plays (The Dearly Beloved, What I Did In The Holidays and Flesh And Blood) was commissioned by Mike Alfreds and produced by Cambridge Theatre Company (aka Method and Madness). These were all nominated for Writers Guild awards and The Dearly Beloved won the award for best regional play in 1993. In 1999, Mike Alfreds commissioned Buried Alive which played the southwest before coming in to Hampstead Theatre. In 2000, Little Violet And The Angel was the co-winner of the Peggy Ramsey Award; Wise Guys was performed as the inaugural production at the new Contact Theatre and was nominated for TMA and Manchester Evening News Best Play awards.

His play Leaving for Quare Hawks Theatre Company toured Ireland in 2002 and he devised Collateral Damage about terrorism and the Oklahoma bombing with Mike Alfreds and students from LAMDA, which was performed in the autumn of 2004. Three of his radio plays have been broadcast on BBC Radio.

He translated Pedro The Great Pretender (Pedro de Urdemalas) by Cervantes as part of the Royal Shakespeare Company Spanish Golden Age Season at the Swan and in the West End in 2004, and in 2006 he directed his translation of Molière’s George Dandin for Graeae Theatre Company. His adaptation of Hans Christian Andersen’s The Ugly Duckling – Duck! – for the Unicorn Theatre ran over Christmas 2007, and his translation of Gianina Carbunariu’s Kebab from Romania ran at the Royal Court in September 2007.

Fathers Inside, commissioned by the National Youth Theatre, was presented at the Soho Theatre in August/September 2009.

His latest commission, Whole, for 20 Stories High toured nationally in spring 2013.

Work in progress: a commission from Theatre Royal Stratford East.





Somalia Seaton is a British writer and actress of Jamaican and Nigerian parentage, born and raised in South-East London. She trained at East 15 Acting school on the BA(Hons) contemporary theatre course. Her debut play Crowning Glory produced by Theatre Royal Stratford East was shortlisted for the 2014 Alfred Fagon Award Currently she is under commission and on attachment to Talawa, The Bush and Clean Break. Somalia is a current member of both the Orange Tree Theatre writers collective and BBC London Voices. As well as being artistic director of No Ball Games Allowed, producing theatre and programmes with young people at it's core, Somalia also colaborates with companies and theatres that work with young people, as both a writer and facilitator and has run projects for The Lyric Hammersmith, action on disability, ICT, GLYPT and many more.

FILTH (Party Lines)




Game - Project Arts Centre, Dublin. Duck, Out of Joint and Royal Court co-production -Theatre Royal, Bury St. Edmunds, Traverse, Edinburgh, the Royal Court and The Peacock, Dublin. O Go My Man Royal Court Theatre, 2006. (Joint winner of the Susan Smith Blackburn Award, 2007.) Catch (written with four other female playwrights) Royal Court. Dreams Of Violence, Soho Theatre and national tour. Bang Bang Bang, Royal Court Upstairs theatre and national tour. This May Hurt A Bit –national tour and St James Theatre. Love and a Bottle was George Farquhar’s first play and written in 1698. Stella’s new version of Love and a Bottle was developed as part of the LAMDA Long Project and produced at Greenwich theatre in July 2014. Radio plays include: Sweet Bitter- Lyric Fm. Julia Roberts Teeth. Radio 3.





Tracy trained at East 15 Acting School. Recent productions as writer and/or director: Sure Thing (Dublin Fringe Festival), Trainspotting (Out of Time Theatre), Follow the Money (Theatre Uncut/ HatchLK), Guaranteed! (Fishamble Theatre, Asst. Director), REVOLUTION! (Collaborations Festival), At Our Boldest (Bush Theatre, reading), Ashland New Plays Festival (Guest Artistic Director; Oregon, USA).  Tracy was founder member both of Studio 3 Arts and Angels Theatre Company as well as Associate Director with The Work Theatre Collective.  Tracy is currently researching “The Artist as Activist in Contemporary Theatre”, a practise as research PhD at the University of Sussex.