Dinah makes sound and music for performance. Trained in sound and image design at Rose Bruford College, she specialises in collaborative projects.
Recent theatre credits include: Keith?; The Daughter In Law; Insignificance; Richard III; The Plague; The Blue Hour of Natalie Barney (Arcola);The Dog Beneath the Skin, Billy Bishop Goes to War (Jermyn Street Theatre);Roller(Barbican Pit); Stella (Brighton Theatre Royal, Hoxton Hall, Brakke Grond - Holland Festival); Asphalt Kiss, Theseus Beefcake(New Diorama); Sundowning (Tristan Bates, Plymouth Theatre Royal); The Droves(Coney @ CoLab Factory); Square Rounds (The Finborough); Cruising, Clubbing, Fucking (Soho Theatre); Swan Lake II, Dark Waters (Chelsea Theatre).
Dinah has worked with Coney, The Tricycle (Kiln), The Egg (Theatre Royal Bath), Stonecrabs Theatre Company, Churchill Theatre Bromley and The Blue Elephant as a designer and mentor for community-based projects.